Thứ Năm, 30 tháng 4, 2015

Laila (Kalki Koechlin) in Margarita, With a Straw.

Drink up at LAAPFF Closing Night

By Miranda Inganni

It’s not often that a movie depicts a female protagonist exploring her sexuality the way she wants to and learning what she wants from life. We do not usually see women in charge of their own sexual agency portrayed in a positive manner. Fortunately, that just what happens in director Shonali Bose’s film, Margarita, With a Straw.
Laila (Kalki Koechlin) loves her friends at Delhi University and the band for which she writes lyrics and composes. Sadly, she loves the lead singer, Nima (Tenzing Dalha), more than he loves her. When her feelings are rebuffed, the shame of rejection is too much for her to return to classes. Fortunately, a scholarship and acceptance letter from New York University arrives and she soon has other plans for her higher education.
Leaving her middle class Delhi neighborhood, Laila and her mother (Revathi) head to New York where Laila goes about settling into her new collegiate life, under her mother’s watchful, but trusting eye. Laila’s broken heart is soon mended, or at least distracted, when she meets Jared (William Moseley), a blond Brit assigned to help her with her classwork. She also meets activist Khanum (Sayani Gupta), who happens to be blind, at a local protest and the two become fast friends. The two young woman quickly become more than friends and explore their new home city -- and each other’s bodies -- with cautious excitement.
Did I mention that Laila is wheelchair-bound due to her Cerebral Palsy? If not, it is because Laila does not allow herself to be restricted. She does not see herself as someone “less” than an able-bodied person, and rightfully so. Unfortunately, not everyone else feels the same way.
The color palate utilized in Margarita, With a Straw heightens both the sensuality and the sweetness of the movie and the acting is fantastic. The family dynamic between Laila and her mother is wonderfully touching. Though the ending feels a bit rushed (especially considering the pacing of the first act), Bose does a lovely job hitting the right notes and not pandering to stereotypes or social “norms.” Laila falters and fumbles through her sexual awakening, just like every other young woman learning to love herself.
 
LAAPFF screens Margarita, With a Straw today, 7:30 p.m., DGA. For more information: LAAPFF CLOSING NIGHT.

 

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