Thứ Sáu, 14 tháng 6, 2013

A scene from The Crash Reel.
Head games

By Don Simpson

Director Lucy Walker’s amazing documentary is studiously compiled from hundreds of hours of archival footage shot by snowboarder Kevin Pearce’s family and friends – luckily Pearce is from a generation that dutifully records anything and everything that they do and say. Walker also fully immersed herself into the Pearce family, recording incredibly intimate moments and conversations. Not only do they seem incredibly comfortable around Walker and her production crew, but they seem to be totally unaffected by the presence of the camera. This allows Walker to provide us with an unfiltered window into their hearts and souls; so, we are able to observe the Pearce family as they experience one of the most harrowing events that will probably ever happen to them. As they are put through the emotional wringer, we are too – especially those of us with little to no memory of Kevin Pearce’s recent past.

The Crash Reel is not just a documentary about a family that bonds together during a recovery process, but it also serves as a condemnation of extreme sports. Walker observes athletes who are addicted to high risk activities, who are willing to put their lives at stake in order to feel a rush of adrenaline. These athletes are revealed to be incredibly selfish, not thinking about the effect that their risky hobbies or careers may have on their families and friends. The blame does not all rest upon the athletes though; society is also to blame. Sports continue to become bigger, faster and more dangerous because the audience demands it.


The Crash Reel screens at the Los Angeles Film Festival: June 16, 4:30 p.m., Regal Cinemas; June 17, 7:10 p.m., Regal Cinemas. For more information: The Crash Reel at LAFF 2013

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