Hiển thị các bài đăng có nhãn arab spring. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn arab spring. Hiển thị tất cả bài đăng

Chủ Nhật, 25 tháng 1, 2015

A scene from The Amina Profile.

Desperately seeking gay girl in Damascus
 
By Don Simpson
 
Sophie Deraspe’s The Amina Profile begins with a sultry online romance between Amina Arraf and Sandra Bagaria. They met on Facebook then soon began emailing and sexting each other. Based in Syria, Arraf achieved international celebrity via her blog “Gay Girl in Damascus.” Arraf bravely risked her life by attaching her real name and image to a blog which rebelliously documented her participation in the early days of the Arab Spring. Bagaria observed Arraf’s revolutionary actions from the safety of her home in Canada, impressed (and turned on) by Arraf’s audacious behavior, all the while concerned about Arraf’s safety; because, despite living thousands of miles away apart and having never met in person — let alone heard each other’s voice — Arraf and Bagaria considered themselves to be in a relationship.
 
After Arraf was purportedly kidnapped by the Syrian government, Bagaria began to search for anyone who might have some information regarding Arraf’s situation. As more people began asking questions, it became increasingly obvious that Arraf was nothing like her online profile. Arraf’s blog “Gay Girl in Damascus” was promptly discredited and major new organizations admitted that they were duped. It was not all that comforting to Bagaria that she was not the only one fooled by the online persona of “Amina Arraf,” so she takes it upon herself to confront the real person.
 
In the greater context of things, it was probably the LGBTQ Syrian communities who were harmed the most by this charade. They were given a false sense of security by “Gay Girl in Damascus,” leading them to believe that it was safe to “out” themselves and stand up to Bashar al-Assad and his cronies. “Gay Girl in Damascus” also gave the Syrian LGBTQ community a voice in the international media, but after the blog was outed as an elaborate ruse, the mainstream media lost interest in them.
 
For better or worse, the “Gay Girl in Damascus” affair has spawned a greater level of reluctance towards online activists. Perhaps this will serve as a lesson for people (especially the media) to authenticate sources before believing them. Though no matter how many cautionary tales about false online personas are presented to our society, there will always be people intent upon believing everything that they read on the Internet. This is especially true with online relationships, which most likely is why Deraspe chose to enter this story via Bagaria’s interactions with Arraf. Deraspe is extremely careful about her representation of Bagaria, carefully avoiding making her out to be a romantic fool. In Deraspe’s eyes, there is only one fool in this story and that is the person hiding behind the “Amina Affaf” avatar.

Thứ Bảy, 16 tháng 6, 2012

Heba Afify and others in Words of Witness.
Happy is she who can give herself up

By Miranda Inganni

During 2011’s “Arab Spring,” filmmaker Mai Iskandar (Garbage Dreams) travelled to Egypt to witness firsthand what the country was experiencing. Upon meeting Heba Afify, a young journalist for Almasry Alyoum, the English version of Egypt’s leading independent publication, Iskandar found a voice to tell the story of the country’s remarkable upheaval. And so the documentary, Words of Witness, came to fruition.

Afify, as her mother frequently reminds her, is from a good family and a young woman. Having wanted to be a writer from a young age, 22-year-old Afify must endure her mother’s remarks that while she recognizes that her daughter is a journalist, she is first and foremost “still a girl.” Despite her mother’s overly-maternal concern, Afify’s intent is to tell the news and educate her fellow Egyptians of the changes as they happen. With the contemporary trappings available to most young adults, Afify texts, emails, posts and tweets the story of an uprising.

Using Afify’s cell phone footage along with the footage shot by Iskandar, Words of Witness is raw without being naïve. With a country in flux, on the edge of the unknown, Afify gives off a sense of hope and integrity. While she is indeed young, Afify takes risks to get to the point of the matter, while being mindful of her mother’s concern. (Interestingly, her father supports his daughter's actions and encourages her to break her mother’s rules.) She is not simply some dumb kid daring to face opposing government, civilian and military forces for the sake of adrenalin or fame, but rather an observer of adversity and revolution who awakens hope.


Words of Witness screens at the Los Angeles Film Festival: June 17, 2:40 p.m., Regal Cinemas; June 20, 7:40 p.m., Regal Cinemas.